Joseph Haydn
Joseph Haydn (1732–1809) was an Austrian composer and one of the most influential and celebrated figures in Western classical music….
Joseph Haydn (1732–1809) was an Austrian composer and one of the most influential and celebrated figures in Western classical music. Often referred to as the “Father of the Symphony” and the “Father of the String Quartet”, Haydn played a key role in the development of these genres during the Classical period. His contributions to musical form, orchestration, and composition have had a lasting impact, and his works are still widely performed and studied today.
Early Life and Background
Birth and Family:
Haydn was born on March 31, 1732, in the small village of Rohrau, near the border between Austria and Hungary. He came from a modest family; his father was a wheelwright and his mother a cook. Despite their humble background, his parents recognized his musical talent early on and sent him to live with a relative in the nearby town of Hainburg to receive a musical education.
Musical Training:
At the age of eight, Haydn was recruited to be a choirboy at St. Stephen’s Cathedral in Vienna, one of the most prestigious musical positions for a boy of his age. There, he received rigorous training in singing and the basics of musical theory. However, when his voice broke in his teenage years, he was dismissed from the choir and left to fend for himself in Vienna.
Struggling Years:
After leaving the choir, Haydn spent several years as a freelance musician and teacher, living in modest conditions. During this time, he studied music theory and composition on his own, learning from the works of other composers, including Carl Philipp Emanuel Bach, whose innovative keyboard sonatas deeply influenced Haydn’s own musical style.
Early Career and Employment with the Esterházy Family
First Professional Appointments:
In the 1750s, Haydn began to find steady work, composing operas, sacred music, and chamber music for wealthy patrons. His talent started to attract attention, and he eventually gained a position as music director (Kapellmeister) for Count Morzin around 1757. This was his first major appointment and marked the beginning of his career as a composer.
Service to the Esterházy Family (1761–1790):
Haydn’s big break came in 1761 when he was hired as Vice-Kapellmeister by Prince Paul Anton Esterházy, one of the wealthiest and most powerful nobles in the Austro-Hungarian Empire. When Paul Anton died in 1762, his brother Prince Nikolaus Esterházy succeeded him, and Haydn was promoted to Kapellmeister (chief music director). He served the Esterházy family for nearly 30 years.
The Esterházy court was based at Esterháza Palace, located in a remote part of Hungary. Haydn had access to a private orchestra and was responsible for composing music for court events, operas, and daily entertainment. Despite being somewhat isolated from major musical centers, Haydn’s position provided him with stability, resources, and the freedom to experiment and develop his style.
Development of Symphonies and String Quartets:
During his time at Esterháza, Haydn wrote many of his most important early works, including a large number of symphonies and string quartets, genres that he helped to define. His symphonies, such as Symphony No. 6 (“Le Matin”), Symphony No. 7 (“Le Midi”), and Symphony No. 8 (“Le Soir”), began to establish the form that would become a standard in classical music.
In addition, Haydn’s Op. 20 String Quartets (1772) are considered groundbreaking in the development of the string quartet as a serious and sophisticated form of chamber music. These works demonstrated his mastery of counterpoint, harmony, and form, and they were influential on later composers like Mozart and Beethoven.
International Fame and London Symphonies
Recognition and Friendship with Mozart:
By the late 1770s and early 1780s, Haydn’s fame had spread beyond the Esterházy court. He became widely respected as one of Europe’s leading composers. During this period, he developed a close friendship with Wolfgang Amadeus Mozart, who greatly admired Haydn’s work. The two composers influenced each other, and Haydn praised Mozart as the greatest composer of their time.
The London Visits (1791–1795):
In 1790, Prince Nikolaus Esterházy died, and his successor, Prince Anton, had little interest in music, so Haydn was effectively freed from his duties. This allowed him to accept an invitation from Johann Peter Salomon, a prominent German violinist and impresario, to visit London.
Haydn made two trips to London between 1791 and 1795, where he was received with great acclaim. During his visits, he composed some of his most famous works, known as the London Symphonies (Nos. 93–104). These symphonies represent the pinnacle of his orchestral writing and include well-known works like Symphony No. 94 (“The Surprise”), Symphony No. 100 (“The Military”), and Symphony No. 104 (“London”). The success of these symphonies cemented Haydn’s international reputation as the greatest living composer at the time.
Influence in England:
While in London, Haydn also composed chamber music, including some of his finest piano trios and string quartets. He was influenced by the vibrant musical life of the city and interacted with English musicians and patrons. His time in England was financially and creatively rewarding.
Late Works and Final Years
The Creation and The Seasons:
After returning to Vienna in 1795, Haydn continued to compose, turning his attention to larger choral and vocal works. One of his greatest achievements from this period is the oratorio “The Creation” (1798), inspired by Handel’s oratorios, which Haydn had heard during his time in London. “The Creation” depicts the creation of the world as described in the Book of Genesis and is regarded as one of his masterpieces.
Another major oratorio, “The Seasons” (1801), was based on a poem by James Thomson and depicts the changing seasons in a pastoral, celebratory manner. Both oratorios were highly successful and showcased Haydn’s mastery of choral and orchestral writing.
The “Emperor’s Hymn”:
In 1797, Haydn composed a patriotic hymn for the Austrian Empire titled “Gott erhalte Franz den Kaiser” (“God Save Emperor Francis”). This became the Austrian national anthem and is still used today, though with different lyrics, as the national anthem of Germany, known as “Deutschlandlied”.
Retirement and Death:
In his final years, Haydn’s health declined, and he composed less frequently. Despite this, he continued to be honored throughout Europe. His last public appearance was in 1808, when a performance of “The Creation” was held in his honor in Vienna.
Haydn died on May 31, 1809, in Vienna at the age of 77, just days after Napoleon’s troops occupied the city during the Napoleonic Wars. His death marked the end of an era in classical music.
Legacy and Influence
The Father of the Symphony and String Quartet:
Haydn’s most important contributions were his development of the symphony and string quartet into major musical forms. His innovations in structure, form, and thematic development influenced later composers like Mozart, Beethoven, and Schubert, and laid the foundation for the Classical style.
Innovations in Form and Structure:
Haydn’s use of the sonata form (which organizes movements around an exposition, development, and recapitulation) became a model for later composers. His ability to develop themes and his use of variation, contrast, and surprise made his music highly dynamic and engaging.
Humor and Wit in Music:
Haydn was known for incorporating humor and wit into his compositions, often playing with the listener’s expectations. A famous example is the “Surprise Symphony” (Symphony No. 94), where a sudden loud chord interrupts a quiet theme, surprising the audience.
Impact on Future Generations:
Haydn’s influence on Beethoven was profound, as Beethoven studied with Haydn for a time in Vienna. Though their relationship was sometimes strained, Beethoven admired Haydn’s work and built upon his achievements, particularly in the development of the symphony and quartet.
Compositions:
Over his long career, Haydn composed over 100 symphonies, 68 string quartets, 45 piano trios, 14 masses, 12 operas, and numerous other works for keyboard, voice, and chamber ensembles.
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- Wheeler, Opal (Author)
- English (Publication Language)
- Composer/Author: Haydn, F. J.
- Book Type: Repertoire
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- Stapert, Calvin R. (Author)
- English (Publication Language)
- 304 Pages - 01/30/2014 (Publication Date) - Wm. B. Eerdmans Publishing Co. (Publisher)
- Haydn (Author)
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- Audio CD – Audiobook
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- 04/21/2009 (Publication Date) - Decca (Publisher)
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